painting

No strings attached ...
via commons.wikimedia.org/wiki/File:Antonio_mancini,_ritratto... which says the portrait is in the Dublin City Gallery.

Ruth Shine was Hugh Lane's sister.

Antonio Mancini (14 November 1852 – 28 December 1930) en.wikipedia.org/wiki/Antonio_Mancini

Self-portrait in 1910 -

Mad that he leaves the grid in the final picture. Same with this one, also at the Hugh Lane: Portrait of Lady Gregory, 1906

The string thing is called a ‘graticola’

ESTELLE THOMSON. A versatile little lady is Mrs. Estelle Thomson, the author of a charming booklet on Australian wild flowers. Living in happy domesticity in her home on the Eight Mile Plains, she is within easy reach of her beloved bush and its rich harvest of shrub and vine and flower. Mrs. Thomson chose her parents well, inheriting from one her love of nature, and from the other artistry that with a deft touch of pencil and brush can make form and colour the medium of her beauty. At the beginning of the year, Mrs. Thomson was elected as President of the Queensland Naturalist Club, an honour that has only been accorded to one other woman in this State. Botanists, of course, have named and labelled all our Queensland flowers. Mrs. Thomson is interested in an attempt being made to add fanciful descriptive names to many of these flowers—names that the children growing up will remember and love. Not content with helping her own three young Queenslanders to study nature, she has visited a country school week-in and week-out to teach the students there something of the joy and loveliness he found in bushland. A fitting title for her is surely this: "The little lady of the flowers." FLAME. Source: trove.nla.gov.au/newspaper/article/182842542# The Week, 27, May 1931

Gold Coast gallery unveils rare historic collection by pioneering artist Edwin Bode “Edwin was born in England but suffered from chronic asthma or bronchitis, and there was a mass immigration to Australia in order to restore people with our better climate,” she says. “He worked in a number of labour-intense jobs here and eventually built up enough money to buy an acreage in Upper Coomera. After planting and selling fruits, he sold the property and became an artist.” Edwin became immersed in the local community, particularly Canungra, where he would paint exquisitely detailed watercolours and family portraits. The Gold Coast Gallery had to dig deep to unearth the comprehensive collection. “Despite being an accomplished watercolourist, all his artwork was in private hands,” Emma says. “It’s very rare and that’s why he’s not very well known. “Because he was so well affiliated with the Canungra area, a lot of families who have been around there have had Bode’s paintings passed down through family generations. It’s Burleigh Heads, but probably not as you know it. This 1904 watercolour of the Burleigh Heads Hotel is one of many oddly familiar scenes in the Edwin Bode: Pioneering Artist of the Gold Coast Hinterland exhibition at Gold Coast City Gallery from today. The exhibition features more than 42 works by the hinterland artist, including rarely seen private paintings on loan from the descendants of pioneers and detailed depictions of homesteads and farms near Canungra, Wonglepong, Mount Tamborine and Burleigh. MORE GOLD COAST NEWS AND GALLERIES Gold Coast City Gallery assistant curator Emma Collerton says Bode was fascinated by Gold Coast landscapes. “Edwin was born in England but suffered from chronic asthma or bronchitis, and there was a mass immigration to Australia in order to restore people with our better climate,” she says. “He worked in a number of labour-intense jobs here and eventually built up enough money to buy an acreage in Upper Coomera. After planting and selling fruits, he sold the property and became an artist.” ON SHOW: The late Edwin Bode’s depiction of Burleigh Heads, 1912 ON SHOW: The late Edwin Bode’s depiction of Burleigh Heads, 1912 Edwin became immersed in the local community, particularly Canungra, where he would paint exquisitely detailed watercolours and family portraits. The Gold Coast Gallery had to dig deep to unearth the comprehensive collection. “Despite being an accomplished watercolourist, all his artwork was in private hands,” Emma says. “It’s very rare and that’s why he’s not very well known. “Because he was so well affiliated with the Canungra area, a lot of families who have been around there have had Bode’s paintings passed down through family generations. PUBLIC SHOWCASE: This 1907 Edwin Bode watercolour shows the Numinbah Falls in Nerang PUBLIC SHOWCASE: This 1907 Edwin Bode watercolour shows the Numinbah Falls in Nerang “We have a wonderful volunteer who lived in Canungra for 40 years and she was pivotal in helping us uncover the works. “She had to gain the trust of the families who owned them, because not only did he paint landscapes and hinterlands, he did family portraits of pioneers that reveal special stories. “One is special because the son in the painting lost his life-fighting in World War I; the other, the daughter, passed under tragic circumstances. A picture really does tell a thousand words and that’s one of the qualities that makes these pieces so beautiful.” We know of Bode’s infatuation with the Gold Coast only through his paintings, though he left no written journal or other evidence. “There’s a beautiful work of the Burleigh Heads hotel that he painted a few months before it was pulled down,” Emma says. “The hotel was a favourite back in those days, and he has depicted the atmosphere perfectly. “He’s outlined the post office, a bar where people used to congregate, a horse and buggy taking people around town, a man cutting wood, and the ocean sitting pretty in the background. “He’s painted Egg Rock, Mount Tamborine, and also homesteads that sadly don’t exist anymore. With some family portrait paintings, there’s a descendant still living somewhere, yet others are simply a memory.” Source: www.goldcoastbulletin.com.au/lifestyle/gold-coast-gallery...