State Library of New South Wales
- 5,043 photos
- 93M views
- Member since 2008
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Last upload was
3 days ago - 🇦🇺
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32% of these photos are geotagged.
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Photos of interest
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Recent uploads
The last upload was 3 days ago.
Entrance, Luna Park, Sydney, 1940 uploaded 7 days ago
Doll hospital, Sydney, 1946 uploaded 16 April
Hudson's Timber yard, Blackwattle Bay, Sydney, ca. 1920-1925 uploaded 14 April
Fashion model holding a flower, Sydney, c. 1948 uploaded 13 April
Nightshift begins for 2UW radio disc jockey, Sydney, 1949 uploaded 9 April
Royal Easter Show, Sydney, April 1938 uploaded 1 April
p. 101d. 4. Tientsin Volunteer Barricade during the siege. uploaded 30 March
Nordenfelt gun, Peking (Beijing), China, 1900. uploaded 29 March
Patricia’s Milk Bar 1949 SLNSW_FL14218394 uploaded 25 March
Roller skating at the Palladium, Sydney, 1937 uploaded 22 March
Grumman G-21 Goose seaplane, landing in Sydney, c. 1938 uploaded 19 March
Conversations
Here’s a selection of the conversations happening on these photos::
Australia’s oldest contortionist David Mitchell, 1942
- bill doyle said:
The dawn of Passchendale. The Relay Station near Zonnebeke Station, 1914-1918 / Frank Hurley
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stormrider98 said:
breathtakingly brilliant...
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gt_hawk63 said:
One of those pictures worth many thousand words.
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Peter Hill said:
This is a typically fake photograph by Hurley. When he took the photograph it was a cloudless sky. Not content with the drama of the scene of wounded Australian soldiers, he added the clouds from another photograph to manufacture this one. I use this particular monstrosity to demonstrate "drama" in my presentations on monochrome photography and how a cloudless sky is irrelevant if the drama exists in the subject, because that is where the viewer's eye goes. Hurley wrote in his diary of his arguments with Bean over his manufactured drama and how he felt that faking it was the only way to show it. He totally did not 'get it'.
Soldiers washing, still from the film, 'Forty Thousand Horsemen'
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Peter Hill said:
Chips Rafferty on the right, Grant Taylor in the middle. Pat Twohill on the left?
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