cokilkenny

There are a couple of related photos for Mr Hamilton of Piltown House. They ring a bell but I can't remember where ...

POOLEWP 0137 - catalogue.nli.ie/Record/vtls000589973
POOLEWP 0137a - catalogue.nli.ie/Record/vtls000589974

i'd say they are nice people, they have a DOG

beachcomber australia I hope you're imagining that bell! We live in dread of The Déjà Vus™️ here at Library Towers...

[Aside] DannyM8 I just found Miss Robertson, of Annefield House, Piltown, who has three dogs and looks delightfully batty! - catalogue.nli.ie/Record/vtls000594116

Google maps is unaware of Piltown House

I don't see them in the Civil Records - maybe they were married in Rome?

Niall McAuley It might be an April Fool's Day prank !

Niall McAuley 1952 is too late for the civil records. Marriage records are only released after 75 years.

I should add that I haven't found anything of interest yet.

Sharon Corbet I will be back to comment in 2027

Per wikipedia on Duiske Abbey, Graiguenamanagh: An effigy of a 13th-century Norman Knight found in the ruins is installed by the main entrance. He is depicted seizing a sword and is carved with great attention to detail. It is one of the finest medieval effigies in Ireland.

"And we are indebted to Geraldine Carville in her book, Norman Splendour, in which she nails down the identity of the Knight of Duiske Abbey thought by man[y] to be the finest effigy of its kind in Ireland. "The figure of the knight in armour, cross-legged in the manner of a Crusader, armed in transverse banded mail, seizing a sword and which was carved in the 13th century. He is Alan Beg, who gave half of the tithes (taxes) accruing to his huge estate in nearby Ullard in exchange for a burial place in Duiske Abbey." From - www.kilkennypeople.ie/news/kilkenny-news/64821/Serene-Abb...

GeoHive 25" map link

Seems to be recumbent now, and in considerably worse condition than Mr French/Lawrence's day -

John Hunt, in his two-volume book on Irish Medieval Figure Sculpture (page 171), describes this as the effigy of an unknown knight and dates it to the late 13th / early 14th centuries. He says: "The commemorated man is represented in the sword-grasping attitude, the left hand holding the scabbard, and the right the hilt of the sword. The left leg is crossed over the right. He is armed in transversely-banded mail. The head rests on a double cushion and is protected by a coif, the skull, which is of rounded form, being outlined by a heavier band than those composing the remainder of the headpiece. The neck and shoulder defences are continuous with the mail of the head, also covering the chin, and the face of the opening is rather heart-shaped in outline. The surcoat, which is tighter across the shoulders than those at Kilfane or Cashel, is gathered at the waist by a girdle, and opens down the front over the thigh, falling in folds to the calf of the leg. The hauberk, vented in front, is long, descending to the top of the knee-cap, and the arms and legs are defended by mail in horizontal bands. The feet are missing, and there are no garters shown. The hands are defended by fingered mail gauntlets continuous with the sleeves of the hauberk. The sword has a short, strong, slightly arched cross, and is supported by a broad belt carried diagonally over the hips, secured by a buckle with the chape hanging down in front. The sheath is attached to the belt by a band and a lace, the ends of which hang in a loose knot in front. "The general form of the armour may be compared to that on the monument of Sir Gerard de Insula, of 1260-1270, at Stow Nine Churches, Northants, where this type of surcoat occurs. On that monument, however, the gauntlets are of muffler type and the headpiece is more bulbous. The form of the skull here appears to be that of the Pershore Knight of about 1280. "The same type of gauntlet is shown on Sir Robert de Keyne's monument at Dodford, Northants, of about 1310. The arrangement of the belt and girdle and the attachment of the sword and general sculptural style indicate a date in the last quarter of the thirteenth century or the early in the fourteenth. Fryer has stated that the stone from which the effigy was carved is Kilkenny marble (palaeozoic rock)."