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Aboriginal breastplates (also called king plates or aboriginal gorgets) were a form of regalia used in pre-Federation Australia by white colonial authorities to recognise those they perceived to be local Aboriginal leaders. The breastplates were usually metallic crescent-shaped plaques worn around the neck by wearer. Aboriginal people did not traditionally have kings or chiefs. They lived in small clan groups with several elders—certain older men and women—who consulted with each other on decisions for the group. By appointing kings of tribes, and granting them king plates, the white colonial powers went against the more collegiate grain of traditional Aboriginal culture. In the 19th century, king plates were given by numerous communities in various Australian States to esteemed Aboriginal men and women, who were usually elders of their particular tribal or kinship group. The plates were presented to perceived 'chiefs', courageous men and to faithful servants.[1] There have been suggestions that the presentation of breastplates also had a great deal to do with whether or not the recipient was seen as useful or respected by the white Australian community of the area in question. While some Aboriginal people wore their breastplates with pride, others saw them as yet another insult to their culture from the white European settlers.[2] Source: en.wikipedia.org/wiki/Aboriginal_breastplate

Cockatoos are an important animal in the Australian Indigenous people’s mythology, acknowledged for their important part in the cycle of birth, death and rebirth of plants in the landscape. For the Indigenous people and more broadly, Cockatoos represent illumination – the sentinel guard and guide through darkness; they speak of commitment to partnerships and to the importance of the safety of one’s group; and they represent comedic relief with the spark that mischief and curiosity bring to life! Source: worldbirds.com/cockatoo-symbolism/

The 'nose bone ceremony' marks an Aboriginal boy's transition to manhood. The ritual begins with the painting of sacred symbols on the body, followed by piercing the septum. The nose is pierced with the bone of an animal or bird associated with a tribe's Dreaming and the ancestral creator of their sacred site. These nose bones were originally worn by both men and woman, today they are usually only worn by the older generation on ceremonial occasions. Source: www.aboriginalartuk.com/post/sacred-places-marrapinti#:~:....

Pearl shells were in use from at least 1818. In 1818 Freycinet records the following in Shark Bay, Western Australia. “An old man painted with stripes of various colors and distinguished from the rest by a shell hanging from his girdle”. They are an original and unique form of Aboriginal Art. Source: www.aboriginal-bark-paintings.com/aboriginal-pearl-shell/

that wasn't a purse, it was a European Organizer!