maestros

Hmm, can anyone make out the intersection?

After spending a lot (too much) time, looking at it, I'd say it's Harvard, looking WNW - as per Google Maps Street View: maps.google.com/maps?client=safari&q=oxford+street,+r... The house on the western corner bears some resemblance to the one in the photo. As for the sign, while hard to read, it seems it may have a V about halfway down. And it's clear that Oxford is the major street in this intersection, as the boulevard intersects the right-of-way of the cross street. This, plus the limited stretch of Oxford which is a boulevard (though, of course, not necessarily, was) seems the best bet. Even looked at the shadows, but it must be late morning - they fall almost north-south, either way the camera is pointing.

Hmm, I will go back to the original and try and discern the street name, hopefully we'll be able to put this bad boy on the map!

An update: my sister, who grew up a block or two from there, says it's Oxford and Brighton - that she recognizes the house.

Thanks for the follow up!

Looking at them I wish I could have a chat with them, sure I would find inspiration and a lot of good stories...

The 1911 County Primary School still stands. The majority of the High School was demolished in the 1980s, with just the oldest part remaining. The photo shows the canteen kitchen block, across the road from the 1911 school, shared with the adjacent High School.

Perhaps related to the August 16, 1919 performance at Sheepshead Bay Speedway described in Musical Courier books.google.com/books?id=7SIqQHZL2_wC&pg=RA8-PA33&am... The New-York Tribune., August 03, 1919, Page 6, Image 36 chroniclingamerica.loc.gov/lccn/sn83030214/1919-08-03/ed-... announces a performance at the same location for Sunday August 10, 1919. So perhaps there several open air performances that summer. NO -- According to the New-York Tribune., August 10, 1919, Page 7, Image 39 chroniclingamerica.loc.gov/lccn/sn83030214/1919-08-10/ed-... the "mammoth open air performance of Aida" was postponed from August 10 to August 16 because of the Brooklyn Car Strike.

"At the Base of the Sheepshead Bay Sphinx"

(L-R) Luigi Albertieri (stage manager), Andrés De Segurola (principal bass and co-artistic director), Giorgio Polacco (Maestro), Princess Della Pattra (principal dancer), Manuel Salazar (principal tenor), Riccardo Stracciari (principal baritone), Fortune Gallo (co-artistic director) –based on caption from Musical Courier, August 21, 1919 p18

a negative review in the New York Tribune, August 24, 1919: "Racetrack opera is undoubtedly good for the health, that is except for the health of the singers, and the social benefits may also be many. Artistically it is hopeless. When the Metropolitan Opera House, which seats a little more than 3,000, is really too large for the finest artistic results, what will we say for an arena which seats ten times that number? " chroniclingamerica.loc.gov/lccn/sn83030214/1919-08-24/ed-...

Art Siegel, that was an informative read -- I was expecting something else. (Grenville Vernon was the art critic for The New York Tribune and an author of several books on the performing arts.)

It's wonderful have a glimpse at this. Thanks for sharing it./Es maravilloso poder echar un vistazo a esto. Gracias por compartirlo.

See The Beacon Benefice blog for more information about Bleddfa School