indigenousevent

Hunting Spears: Hunting spears are usually made from Tecoma vine. These vines are not straight but in fact curly. To straighten them the maker dries out the moisture by heating the branch over a small fire while it is still green. While doing this he shapes it into the form that he wants. A wooden barb is attached to the spearhead by using kangaroo (sometimes emu) sinew. the opposite end is then tapered to fit onto a spear thrower. On completion, the spear is usually around 270 centimeters (9 feet) long. Spear Thrower/Woomera A spear-thrower is also commonly known as a Woomera or Miru. The spear-thrower is usually made from mulga wood and has a multi-function purpose. It is however primarily designed to launch a spear. The thrower grips the end covered with spinifex resin and places the end of the spear into the small peg on the end of the woomera. The spear can then be launched with substantial power at an enemy or prey. Inserted in the spinifex resin of the handle of many spear throwers is a very sharp piece of quartz rock. This is used for cutting, shaping, or sharpening. The spear-thrower was also used as a fire-making saw, as a receptacle of mixing ochre, in ceremonies, and also to deflect spears in battle. Source: mbantua.com.au/weapons/

Taxidermy is the art of preserving an animal's body via mounting (over an armature) or stuffing, for the purpose of display or study. Animals are often, but not always, portrayed in a lifelike state. The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy". The word taxidermy is derived from the Greek words taxis and derma.[1] Taxis means "arrangement", and derma means "skin" (the dermis).[1] The word taxidermy translates to "arrangement of skin".[1] Source: en.wikipedia.org/wiki/Taxidermy

Boomerangs are an internationally recognised symbol of Australia. For Aboriginal people the boomerang is as old as creation and a symbol of the enduring strength of Aboriginal culture. The boomerang has also been a popular symbol for tourism and travel, with notions of visitors returning ‘like a boomerang’. The boomerang is a symbol of cultural endurance and a tangible link to the long presence of Aboriginal people on the continent. Boomerangs have many uses for First Nations people, including as a weapon and a tool, for hunting and digging, and in ceremonies. Some are designed to return to the thrower but the vast majority are not. For many thousands of years, Aboriginal groups exchanged boomerangs across the continent. Trade in boomerangs continued after 1788. European fascination with the boomerang, especially the returning variety, meant that early barter with settlers, and then tourists, led Aboriginal people to create an industry making boomerangs. That trade continues today. Source: www.nma.gov.au/exhibitions/defining-symbols-australia/boo...

Aboriginal breastplates (also called king plates or aboriginal gorgets) were a form of regalia used in pre-Federation Australia by white colonial authorities to recognise those they perceived to be local Aboriginal leaders. The breastplates were usually metallic crescent-shaped plaques worn around the neck by the wearer. Aboriginal people did not traditionally have kings or chiefs. They lived in small clan groups with several elders—certain older men and women—who consulted with each other on decisions for the group. By appointing kings of tribes, and granting them king plates, the white colonial powers went against the more collegiate grain of traditional Aboriginal culture. Source: en.wikipedia.org/wiki/Aboriginal_breastplate#:~:text=Abor...(also%20called%20king,around%20the%20neck%20by%20wearer.