traditional

In the 1850s, tens of thousands of Chinese people traveled to the Australian goldfields. Written accounts, artworks, photographs, and artifacts from a vivid picture of Chinese people in Australia at the time of the gold rush. This writing is complemented with the same photo of Kwong Sue Duk, his three wives, and 14 children. Yet, no other explanation is and info is provided. Source: www.sbs.com.au/gold/voices/

Kwong Sue Duk (1853-1929): His Life and Family in Australia + Kwong Sue Duk was a prosperous and generous Chinese gentleman who had four wives and twenty-four children and made Australia his chosen home, during and after the nineteenth-century northern Australian gold rush period. + Kwong Sue Duk was born in Guangdong Province, China, in 1853 and ventured abroad to the California goldfields at an early age to seek his fortune. After several years, he earned enough money for his family and passage home to Taishan, China, then embarked on education in Traditional Chinese Medicine. In 1874, Kwong Sue Duk married his first wife, Gee An Gow. + In 1875, after the birth of his first son (Kong Sing), Kwong soon heard of the gold rush of Australia and took a ship to Cooktown, North Queensland. He made several trips home to China and in 1879 a daughter (Jon Gee) was born. In 1882, Kwong arrived in the prospering township of Southport in the Northern Territory, where he eventually established a successful general trade store and real estate enterprise, operating under his business name, Sun Mow Loong. He became well respected and influential amongst the Chinese and European communities and was consulted over many matters concerning the Chinese. + In 1884, Kwong Sue Duk married his second wife, Chun Ngor Gwei, and obtained his naturalization certificate in Australia. Kwong moved to Palmerston (early Darwin) and in March 1887 he met and married his third wife, Yuen Yuk Lau. He returned to China and another daughter (Toy Mee) was born to his first wife. Not long after the birth, he traveled back to Australia to tend to his thriving businesses and to buy a number of rental properties. In 1888, Kwong's third wife gave birth to a daughter, Ly Kin. + He returned to China in 1889 and subsequently brought out his first wife and three children to Palmerston, where she later bore him another daughter (Sum Gwai). Kwong and his three wives lived in harmony and supported the family together. Over the next twelve years, eleven more children were born - Thomas, Edward, Leslie, Elsie, Fred, Lim, Maizie, William, Kathleen, Mary, and Lily. By 1902, there were sixteen Kwong children. Kwong prospered well in the remote Northern Territory, purchasing rental properties and at least five large gold mining leases. If you want to know more please follow the link: arrow.latrobe.edu.au/store/3/4/5/5/1/public/stories/kwong...

Prior to the arrival of missionaries in the Pacific Islands, the dress was an important expression of social status, political standing, and religious belief. Body art and clothing were key elements that helped people to socially locate themselves and others. The body was the main focus of the material expression. The body was tattooed, painted, and decorated with natural materials, dyes, and paints Source: fashion-history.lovetoknow.com/clothing-around-world/sout...

In the mountain village where the waters of the River Styx flow, the young Golfo and Tassos swear eternal love to one another. True to her word, Golfo rejects a nobleman who wishes to marry her, but Tassos breaks his oath and agrees to wed a rich young woman instead. When he changes his mind, it is too late and the forces of destiny continue to their inevitable conclusion. Linked with the historical tradition of travelling theatre troupes, Golfo is almost synonymous with this aspect of Greek theatre. However, despite its unusual language and localised character, Peresiadiss play is charged with emotion and technically is every bit as proficient as dramas from better-known names. Romantic rivalries, moral dilemmas and heartrending choices run through this important example of Greek theatrical heritage. Nikos Karathanos and his cast and crew approach Golfo with sensitivity and reveal it to be a genuine theatrical gem. Source: www.n-t.gr/en/events/oldevents/golfw_

Golfo is a 1914 Greek silent film directed by Konstadinos Bahatoris. It is the first Greek feature film. It was based on a popular Greek bucolic play written by Spyridon Peresiadis. Plot Tasos is a young shepherd in love with Golfo and intends to marry her. However, the rich shepherdess Stavroula with the help of her father manages to lure him with the promise of a dowry. Eventually he realises his mistake and returns to Golfo, but she has poisoned herself. Driven by guilt, Tasos commits suicide. Source: en.wikipedia.org/wiki/Golfo