costume

The Royal Academy of Dance method, also referred to as the English style of ballet, was established in 1920 by Genee, Karsavina, Bedells, E Espinosa, and Richardson. The goal of this method is to promote academic training in classical ballet throughout Great Britain. This style also spread to the United States, and is widely utilized still today. There are specific grade levels which a student must move through in order to complete training in this method. The key principle behind this method of instruction is that basic ballet technique must be taught at a slow pace, with difficulty progression often much slower than the rest of the methods. The idea behind this is if a student is to put in a large amount of effort into perfecting the basic steps, the technique learned in these steps allow a student to utilize harder ones at a much easier rate. Source: www.wikiwand.com/en/Ballet

The Geisha, a story of a tea house is an Edwardian musical comedy in two acts. The score was composed by Sidney Jones to a libretto by Owen Hall, with lyrics by Harry Greenbank. Additional songs were written by Lionel Monckton and James Philp. The Geisha opened in 1896 at Daly's Theatre in London's West End, produced by George Edwardes. The original production had the second-longest run of any musical up to that time. The cast starred Marie Tempest and C. Hayden Coffin, with dancer Letty Lind and comic Huntley Wright. The show was an immediate success abroad, with an 1896 production in New York and numerous tours and productions in Europe and beyond. It continued to be popular until World War II and even beyond to some degree. The most famous song from the show is "The Amorous Goldfish".[1] Source: en.wikipedia.org/wiki/The_Geisha

MOON AND MORRIS REVUE Co. Formed in mid-1926 by English-born dancers and comedians George Moon and Daniel Morris, the Moon and Morris Revue Company presented a combination of revue sketches and vaudeville. The troupe included several well-established and high-profile performers such as former Famous Diggers comedian, Ed Warrington (who wrote much of the material) and Alec Kellaway. The troupe is known to have still been performing around Australia and New Zealand in 1929. Formed in mid-1926 by English-born simultaneous dancers George Moon and Daniel Morris, the Moon and Morris Revue Company presented a combination of revue sketches and vaudeville. Much of the troupe's repertoire was written by its director, Ed Warrington, who had previously been associated with Pat Hanna's Famous Diggers. However, the company did occasionally stage refusals, with two of the more popular being My Mountain Maid and Dad, Choom and Co. In addition to Warrington, the troupe initially boasted several well-established and high-profile performers, notably Alec Kellaway, Durham Marcel, Nell Fleming, Irene Vando, and Kathleen Howard. In reporting on the company's Brisbane debut in 1926, the Brisbane Courier records: "The current offering, Wit, and Wisdom go with a swing from the first to the final curtain. It is a potpourri of dancing, music, and song, backed up by clever ballet and colorful stage settings, and through it all Messrs. Moon and Morris have infused a series of skits that bristle with fun. This quaint pair long ago danced their way into the hearts of Brisbane audiences, but there seems no end to the diversity of their dancing and this week they introduce much that is new" (19 July 1926, 9). Moon and Morris temporarily disbanded their troupe at the end of September in order to appear with Elton Black's New Follies at the Cremorne Theatre, Brisbane. Several members of their troupe were also engaged by Black, notably George Moon Jnr and Nell Fleming. Although the company is known to have toured Australia on the Fullers' circuit in 1929 (E: 11 Dec. 1929, 30), no location details have yet been established. Source: ozvta.com/wp-content/uploads/2011/04/moon-and-morris-revu...

Empire Theatre Built in 1911, rebuilt in an art deco style in 1933 following a fire, and finally restored and reopened in 1997, the Empire Theatre has served as an entertainment hub for Toowoomba and the surrounding areas for over 100 years, playing an integral part in the cultural development of the region. The heritage-listed theatre is a building with rich history and fine architecture, including the grand proscenium arch, decorative sconces, original brick walls in the foyers, and art-deco style lighting. With modern seating for 1565 people, the theatre continues to receive countless commendations from patrons and performers. Source: www.empiretheatre.com.au/about-us/#:~:text=Built%20in%201....