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The Brisbane Courier reported this wedding thus: DRYNAN-FLANAGAN. At St. Stephen's Cathedral on August 7, the marriage was solemnised of Mr. Andrew John (Drew) Drynan (eldest son of Mr. and Mrs. James Drynan, Beaudesert) and Miss Marie Flanagan (second daughter of Mrs. Flanagan and the late Mr. Andrew Flanagan, Forest Home, Rathdowney). Rev. Father Hennessey performed the ceremony, assisted by the Rev. Father Steele (Yeronga). The bride, who was given away by her uncle (Mr. Frank. Egan), was in a silver lace and georgette frock made with wide side drapes, and an uneven hem line with a diamente ornament at the side. Her pale pink tulle veil was arranged in cap fashion with a coronet of orange blossoms and silver lace. She also carried a showy bouquet of white roses and sweet peas. The bride was attended by two bridesmaids, Miss Kitty Flanagan (sister) and. Miss Ena Drynan (sister of the bridegroom). They wore frocks of pale blue, and pale pink net, respectively. The tucked bodices were attached to skirts adorned with handkerchief and peacock drapes mounted on silver lace, and finished with soft taffetas bows. They wore blue and pink crinoline hats faced with tulle and trimmed with bows of silver rib- bon. They also carried bouquets ol pale pink and blue flowers. Mr. Jim Drynan (brother of bridegroom) was best man, and Mr. Jack Enright was groomsman. Miss Kitty Slack presided at the organ. The guests were enter tained at the Jenolan Cafe by Mrs. Flanagan, who wore a costume of black mariette with an overrskirt of block silk lace. She also wore a black hat with touches of pink, and carried a bouquet of red and pink shaded roses. The bridegroom's mother was frocked in a semi-ensemble of honey coloured mariette with a front panel of satin beauté, and a hat en suite. She carried an autumn tinted posy. After the recep tion the bride and bridegroom left on their honeymoon, which will be spent on a motor tour of the Northern Rivers. Mrs. Drynan wore a travelling frock of fawn Marocain showing hand embroideries, with a Visca straw hat in a lemon shade. nla.gov.au/nla.news-article21440802

You can see the original newspaper article here: trove.nla.gov.au/static/ndp/tmpImageFiles/article21440802...

If this was photo was indeed taken around Rosh Hashanah (Jewish New Year) as the notation implies then these people are most likely taking part in a "tashlich" ceremony. The ceremony is when the previous year's sins are symbolically "cast off" by throwing pieces of bread into a flowing body of water.

This was a very nice picture especially it was in Brooklyn, NY. Although I was not born in Brooklyn, I was born in the Bronx. But that was many years ago. Happy New Year.

Hi, I'm an admin for a group called ART GINGHAM PHOTOGRAPHY, and we'd love to have this added to the group!

While the wearing of hats is mostly reserved for cold weather or a royal wedding nowadays, there was once a time when a woman wouldn’t dare leave the house without one. Hats have a long, elaborate sartorial history, especially when it comes to women’s fashion. One hat style in particular from the “heyday” of hat-wearing is even still occasionally worn today- the cloche. While it is a defining fashion icon of the 1920s, this stretch of time is only the height of its popularity. Its history stretches back to the turn of the century when it was first created- 1908 to be exact. The design was invented by French milliner Caroline Reboux: a small bell-shaped hat that was easy to form, and simple enough that it could be embellished and styled in a number of ways. The accessory was aptly named, “cloche,” the French word for bell. The 1920s version of the cloche is iconic. It featured an even more snug fit than its predecessors and was worn so low over the eyebrows that women walked with their chins up and eyes cast down. Fortunately, walking with this kind of poise only added to the allure of the look, as women felt it created an air of confidence and independence in the wearer. During this decade, no woman ever left the house without a chic cloche to top off her look. As cloche styles began to grow and change, embellishment began to feature more heavily in the design. Art deco was a heavy influence in all aspects of 1920s fashion, and hats were no exception. The art style impacted the brim and seam styles of cloche hats, as well as what decorated it. Applique, beads, brooches, or feathers were popular and helped to dress up hate for more formal occasions. Some versions were made from laces and silks to add glamour, and could be paired with a fancy evening ensemble. Source: startupfashion.com/fashion-archives-history-cloche-hat/