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A United Methodist Free church opened on Sunday 11 August 1878 on the corner of Gympie Road and Banfield Street, (then Church Street, approx 27.3818°S 153.0230°E).[8][9] In 1926 a more central site was purchased on the southeast corner of Gympie Road and Hamilton Road and the church building was relocated to the new site and renovated.[10][11][12] It was replaced by a brick church that opened on 30 September 1950.[13] It became part of the Uniting Church in 1977. This brick church was demolished in 2004,[14] probably because the current Chermside-Kedron Community Church (a Uniting Church) in Chermside on the north-western corner of Gympie Road and Rode Road had opened on 23 September 2001. Source: en.wikipedia.org/wiki/Chermside,_Queensland

The history of St Joseph’s Cathedral Rockhampton is woven like a tapestry through the history of the Bishops of the diocese. To date, each of the ten Rockhampton Bishops has contributed to its present magnificence. St Joseph’s Catholic Cathedral has stood for over a century on the inner-city corner of William and West Streets, Rockhampton. Its architecture and beauty and the magnitude of its stature, make it a focal point of the Rockhampton Diocese. It is as much for the people of the Diocese as visitors. St Joseph’s features a particularly fine black and white chequered Italian marble floor, sandstone block construction, and authentic leadlight windows hand-crafted in England. These windows depict themes from the New Testament. Balancing the sandstone and tile construction is the deliberate use of timber, creating a warm and natural atmosphere. Compared to modern church design, the design of St Joseph’s and its character reminds us of the transcendence of God. Source: www.cposj.com/more-about-me

Fred Whaite - Composer, librettist, music director, musician. The son of Harry Whaite, one of Australia's leading scenic artists during the late 1890s and early twentieth century, Fred Whaite established himself in the Australian variety industry as a music director and composer. He studied piano as a youth under Henri Kowalski and gained his orchestral training with Gustave Slapoffski. Showing an early liking for operatic composition, he was encouraged and assisted by J. C. Williamson's music director Andrew MacCunn and Thomas A. Ricketts. Two of his earliest compositions to be published were 'The Coronation: Grand Galop de Concert' (1907) and 'Golden Wattle Schottische' (ca. 1909). Between 1906 and 1909 Whaite was largely associated with the British Pianoforte Depot in Sydney, being engaged as the society's pianist for its series of regular Apollo recitals. Although much of Whaite's career during the remainder of the 1920s is still to be determined, it is believed that he remained with the Fullers until 1929, at which time he joined the ABC as a music arranger and performer. Between 1930 and 1934, for example, he regularly appeared as a novelty pianist on Sydney stations 2FC and 2BL, with these often being relayed around the country on the ABC network. The 1930s also write and direct the music for a number of radio dramas - notably The Tin Soldier (1931, musical comedy) and Waratah (1931, pantomime) - as well as leading his own radio vaudeville company and orchestra. In addition to this, he collaborated (as composer) on the Clipper and Brown comedy detective radio series with author John 'Jock' Macleod. Fred Whaite remained with the ABC until his retirement in 1962. He died in 1964. Known to have written countless songs throughout his career, at least twenty-five songs are known to have been published, including 'Rose of My Dreams' (1924), 'My Wollondilly Home' (1925, with John Moore), 'Into the Barrel' (1940, which he dedicated to the Red Cross), 'In-doo-roo-pilly' (1940, with Billy Maloney), 'I'm Cutting up the Rainbow' (ca. 1947), and 'The Little Green Wood' (1953, with John Wheeler). Whaite also reportedly wrote two radio plays in collaboration with S. D. Douglas - Kabula Love Song and Moon. Source: www.austlit.edu.au/austlit/page/A112240

Bohemia Theatre and Stadium This opened in March 1923 as a live theatre venue with a performance of ‘Mr. Rawdon Blandford’s ‘Classics of 1923’’. By the end of the decade, the theatre was struggling in the face of the thriving cinema industry, and during the 1930s the lease was held by Greater Brisbane Amusement, whose policy was not to compete with the neighboring Cremorne Theatre. The Bohemia was then predominantly used as a wrestling and boxing venue known as ‘Bohemia Stadium’. The last bouts appear to have taken place there in April 1940. In 1947 it was taken over by the Brisbane City Council and leased out for use as a depot and store before being demolished in 1954 to make way for a car park fronting Stanley and Grey streets. Source: mappingbrisbanehistory.com.au/history-location/bohemia-th...