reflectingpool

12 photos tagged reflectingpool, from 3 members of Flickr Commons.

When were these photos taken?

4
1890
2008

 

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The last upload was June 2012.

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[Garden of Pan American Union Building, Washington, D.C.] (LOC)

  • 9 older comments, and then…
  • Vega Chastain said:
    What a beautiful photograph... the flowers in the background match the young ladies dresses - great composition and color!!!! Love it.
  • Scott S said:
    I love how, even though this was taken over 60 years ago, those buildings look almost identical today.
  • kidnix said:
    glass window -- totally agree -- it's fascinating.
  • Tracy27 said:
    There's such a European look to the architecture and landscaping, I had to do a double-take to be sure it said this was D.C. The people in it are intriguing, too; I wonder whether they were models or actual servicemen and their dates? I like how the polka-dotted woman's right arm is motion-blurred, and how neatly the stripe-skirted lady's feet are pressed together.
  • Alina Dolinschi said:
    I Love it, I love it! Look at the way those girls are dressed..

Trans-Mississippi Expo, Grand Court, Omaha

  • arahsae said:
    According to the Omaha Public Library's site: "The grand buildings of the Exposition no longer exist because of the poor quality of the construction materials. Most of the structures were built using green wood and plaster in order to keep the cost of these immense buildings down." www.omahapubliclibrary.org/transmiss/about/about.html Too bad! There's some gorgeous stuff in there.

[Fairy Glen, Bettws-y-Coed (i.e. Betws), Wales] (LOC)

  • Kest Schwartzman said:
    article on the process of photochrom: en.wikipedia.org/wiki/Photochrom "A litho stone is coated with a thin layer of purified bitumen dissolved in benzene. A reversed half-tone negative is then pressed against this light-sensitive coating and an exposure in daylight made (taking from 10–30 minutes in summer, to several hours in winter). The bitumen hardens and becomes resistant to normal solvents in proportion to the light. The coating is then washed in turpentine solutions, removing the unhardened bitumen. It is then retouched in the tonal scale of the chosen color to strengthen or soften the tones as required. Each tint needs a separate stone bearing the appropriate retouched image, and prints are usually produced by at least six, and more commonly from 10 to 15 tint stones.[4]"