2021

Doomadgee is a largely Indigenous community located in the Gulf of Carpentaria, approximately 140km from the Northern Territory border and 93km west of Burketown. The community is positioned alongside the Nicholson River and provides access to the coast, freshwater rivers, and Lawn Hill National Park, one of the Gulf’s most popular natural tourist attractions. The Waanyi and Gangalidda people are recognized as the Traditional Owners of the region surrounding Doomadgee. The original mission, known as ‘Old Doomadgee’, was established in 1933 by a non-Indigenous family, the Akehurst family, with the support of the Christian Brethren Assemblies and Chief Protector of Aboriginals[2]. The mission was located at ‘Dumaji’ at Bayley Point Aboriginal reserve, on Gangalidda land. Archival records and personal accounts by residents describe the restrictive and difficult conditions at Doomadgee. In 1950, a government report severely criticized practices in use in the dormitory. At the time, mission policy required that all children over 6 years old lived in dormitories[14]. Boys left the dormitory around the age of 14 to take up station work. Girls were trained in domestic duties and often remained in the dormitories until they married. By the late 1950s, many residents left Doomadgee and went to the Mornington Island mission, where the practice of separating children from parents in dormitories had been abandoned. During the 1960s, older, unmarried girls began returning to their parents[16]. The dormitories closed at some point in the late 1960s. Source: www.qld.gov.au/firstnations/cultural-awareness-heritage-a...

In Australia, a stockman (plural stockmen) is a person who looks after the livestock on a large property known as a station, which is owned by a grazier or a grazing company, traditionally on horseback. In this sense, it has a similar meaning to "cowboy". A stockman may also be employed at an abattoir, feedlot, on a livestock export ship, or with a stock and station agency. Aboriginal Australians were good stockmen who played a large part in the successful running of many stations. With their intimate bonds to their tribal places, and local knowledge they also took considerable pride in their work. After the gold rushes white labor was expensive and difficult to retain. Aboriginal women also worked with cattle on the northern stations after this practice developed in northern Queensland during the 1880s. A Native Administration Act later stopped the employment of women in cattle camps. Aboriginal people often received only food and clothing to retain their labor,[3] until they began to be paid a small cash wage in the 1950s and 1960s, much less than their white counterparts. In 1966, Vincent Lingiari led Gurindji workers on the Wave Hill walk-off, a strike on the large Vesteys cattle station in the Northern Territory, which brought about wage parity two years later. In the 21st-century class actions for these "stolen wages", as they have been dubbed, have taken place in Queensland, Western Australia, and the NT.[4] Source: en.wikipedia.org/wiki/Stockman_(Australia)

King Plates describes and illustrates a large collection of Aboriginal gorgets, also called king or brass plates. These were presented to perceived 'chiefs', faithful servants, and to the especially courageous, by governors and landholders. In other words, they were given to anyone who helped in some way to ease the white settlers' progress in the new colonies. They had already been used in North America for the same purpose. Source: aiatsis.gov.au/publication/35807

Introduction to King Plates: A History of Aboriginal Gorgets by Jakelin Troy, 1993 In 19th and early 20th century Australia, Aboriginal people who distinguished themselves in the eyes of the non-Aboriginal population were honored with an inscribed metal plaque to hang around the neck. These plaques have been known by many names but were most often called ‘King’, ‘breast’ or ‘brass’ plates. However, in this book they are called ‘gorgets’ because they were made not only for men and not only for people who were seen to be leaders. The name was also chosen because the plaques were modified copies of the gorgets worn as badges of office by infantry officers in Australia until 1832. In spite of the important role Aboriginal gorgets played in the development of social relationships between Aboriginal people and non-Aboriginal people in colonial Australia, they have not been the subject of any substantial publications. Commentary on the gorgets is extremely sparse. The gorgets are tangible physical links with Aboriginal people who were intimately involved in the colonial history of Australia. The names and affiliations inscribed on the gorgets are particularly important as documentary records of Aboriginal history. Ancestral connections with many contemporary Australians may be established through clues that the inscriptions provide. Source: www.nma.gov.au/explore/features/aboriginal-breastplates/i...

Wanhtharra nyundu! Welcome to our country! Cooktown lies in Guugu Yimithirr country, a tribal nation that stretched from the Annan River, south of Cooktown, to Princess Charlotte Bay in the north. This is one of the Cape’s forty-one tribal nations, each having its distinct language, history, culture, bush foods and bush medicines. The Guugu Yimithirr nation was divided into thirty-two clan (or extended family) areas, with boundaries defined by geographical landmarks. Aboriginal people lived in these small clan groups, looking after their lands, its sacred sites and special story places, just as people now look after their house and family photos. Today Guugu Yimithirr people maintain their strong links with the land and its special places. The word Bama (pronounced Bumma) is widely used throughout Cape York to mean an Aboriginal person, but in Guugu Yimithirr, the word simply means ‘person’ regardless of nationality or race. The Guugu Yimithirr name for Cooktown is Gungardie, after the word gun-gaar – a type of crystal quartz found in the area which was used for cutting the chest skin for initiations. Source: www.cooktownandcapeyork.com/do/history/aboriginalculturec...

Aboriginal body painting or art and personal ornamentation is an ancient tradition that carries deep spiritual significance for the Australian Indigenous People. Their cultural rituals including body painting differ between Aboriginal Tribes and topographic locations. It is related to spiritual matters and is very creative in character. The specific designs and motifs used by the Aboriginals reveal their relationships to their family group, social position, tribe, precise ancestors, totemic fauna, and tracts of land. There are very strict guidelines to how the body painting and adornment is carried out and an Aboriginal person is not allowed to just use any motives or adornment in their transformation. They must follow traditional, respected patterns. The person adorned with the body paint often takes on the spiritual part of their ancestor dancing, immersed in their character. In northwest Queensland, men rub their foreheads with charcoal and paint a white band from either eyebrow down the front of the ear and along the shoulders and arms. White and red bands are painted across the chest and the rest of the body is covered in red. Aboriginals use different items and ways to decorate the body include scars, feathers, shells, teeth, ornaments, face paint, and body paint. Symbols are greatly used and can represent many things about the person who uses it. It is often used to tell a spiritual story. Source: www.aboriginal-art-australia.com/aboriginal-art-library/a...