panchovilla

PANCHO VILLA'S ARRANGEMENT WITH THE MUTUAL FILM COMPANY: "In January 1914, Pancho Villa became Hollywood's first Mexican superstar when he signed an exclusive contract with the Mutual Film Corporation. In return for $25,000, he agreed to keep other film companies from his battlefield, to fight in daylight whenever possible, and to reconstruct battles if the footage needed reshooting. "Now the subject of an HBO film starring Antonio Banderas (And Starring Pancho Villa as Himself), Villa is one of the main protagonists in Margarita de Orellana's vivid account of the American movie industry's fascination with the events of the Mexican Revolution. "Through memoir accounts, newspaper reports, and analysis of the films themselves, "Filming Pancho" reveals much about how Mexico was constructed in the American imagination and how the film images reinforced and justified American expansionism and racial and social prejudices." --From a description, on Amazon, of a documentary movie of Hollywood's treatment of the Mexican Revolution. (The DVD is available for purchase from various Amazon vendors.)

Looks like the caption might say "entraining," which I'd guess to be a fancy way of saying "getting on a train." They certainly don't look like they're entertaining, or being entertained. (Detained, maybe.)

PANCHO VILLA'S ARRANGEMENT WITH THE MUTUAL FILM COMPANY: "In January 1914, Pancho Villa became Hollywood's first Mexican superstar when he signed an exclusive contract with the Mutual Film Corporation. In return for $25,000, he agreed to keep other film companies from his battlefield, to fight in daylight whenever possible, and to reconstruct battles if the footage needed reshooting. "Now the subject of an HBO film starring Antonio Banderas (And Starring Pancho Villa as Himself), Villa is one of the main protagonists in Margarita de Orellana's vivid account of the American movie industry's fascination with the events of the Mexican Revolution. "Through memoir accounts, newspaper reports, and analysis of the films themselves, "Filming Pancho" reveals much about how Mexico was constructed in the American imagination and how the film images reinforced and justified American expansionism and racial and social prejudices." --From a description, on Amazon, of a documentary movie of Hollywood's treatment of the Mexican Revolution. (The DVD is available for purchase from various Amazon vendors.)

More Bain/LOC photos from the period of the Mexican Revolution:

El 22 de marzo la División del Norte llegó a Estación Noé y por la tarde a El Vergel (al norte de Gómez Palacio) y el 23 estaban en las goteras de Gómez Palacio teniendo como eje la vía férrea, a la izquierda la casa redonda (oriente), al centro (sur) la ciudad y a la derecha el Cerro de la Pila (poniente). Así se inicia el sitio de la plaza. Dr. Roberto Duarte

Thank you Dr. Roberto Duarte for the information about the possible location of this photograph. As you said, based on the location of Villa's troops on the date written on the image (March 23, 1914), it does appear the photo could have been taken in Gómez Palacio. We will add "probably Gómez Palacio" to the image description when we update.

PANCHO VILLA'S ARRANGEMENT WITH THE MUTUAL FILM COMPANY: "In January 1914, Pancho Villa became Hollywood's first Mexican superstar when he signed an exclusive contract with the Mutual Film Corporation. In return for $25,000, he agreed to keep other film companies from his battlefield, to fight in daylight whenever possible, and to reconstruct battles if the footage needed reshooting. "Now the subject of an HBO film starring Antonio Banderas (And Starring Pancho Villa as Himself), Villa is one of the main protagonists in Margarita de Orellana's vivid account of the American movie industry's fascination with the events of the Mexican Revolution. "Through memoir accounts, newspaper reports, and analysis of the films themselves, "Filming Pancho" reveals much about how Mexico was constructed in the American imagination and how the film images reinforced and justified American expansionism and racial and social prejudices." --From a description, on Amazon, of a documentary movie of Hollywood's treatment of the Mexican Revolution. (The DVD is available for purchase from various Amazon vendors.)

A brighter view of the scene:

Info about Abraham Gonzalez and Francisco Villa, from Wikipedia: "Villa's hatred of ['usurper' Mexican Presidente] Huerta became more personal and intense after March 7, 1913, when Huerta ordered the murder of Villa's political mentor, Abraham González, who had worked with Madero and Villa since 1910. González had been one of Madero's political advisors. He recruited Francisco Villa in 1910 to support Madero with the Plan de San Luis which started the first part of the Mexican Revolution with the armed movement of 20 November 1910. The Plan de San Luis was conceived to force Dictator Porfirio Diaz (Mexican president for 33 years) to leave the presidency and allow for a Mexican democracy.[3] Villa later recovered González's remains and gave his friend a proper funeral in Chihuahua."

Wystan: Thank you for catching the typo in Gonzalez's name. We will fix the record when we update.

don't forget Wystan's question about "General", Governor seems more accuate see en.wikipedia.org/wiki/Abraham_Gonz%C3%A1lez