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"If clothes were given to workers in lieu of wages by way of reward for labour, then the clothes should have become the possession of the worker. By possession, I mean that the clothes should have been theirs to keep, to sell, to trade, or to give to family or to others to satisfy customary exchange. But despite official policy, clothes were rarely given as wages, and it was common for clothes to remain the property of the employer. On cattle stations, Aboriginal stockworkers were given clothes suitable for riding and working, but these clothes were on loan rather than clothes to keep." In 1932 Owen Rowe, commented that: One big station firm indulged in the Christian practice of compelling the stockboys, after the mustering of the cattle was finished, which is just a seasonal work, to hand back the clothes, issued them to work in, and then sending them naked into the bush to fend for themselves [:::] The scarcity of clothing among these unfortunates compels them to wear the clothes until they are absolutely filthy or until they fall to pieces on them.30 The assimilation policy was based on the assumption that the barrier to equal rights and citizenship for Aboriginal people was not the fundamental inequality of the law, but the inadequacy of the Aboriginal people themselves. It was assumed that an innate inferiority existed which might, with suitable training and guidance, be gradually overcome. The question of clothing and cash wages was an important part of the new policy. Source: 2007 " When wages were clothes: dressing down Aboriginal workers in Australia's Northern Territory" Julia T. Martinez ro.uow.edu.au/cgi/viewcontent.cgi?article=1786&contex...

Benjamin Fuller operated many companies (one of them being Brennan & Fuller Circuit") presenting first-class vaudeville, revue, pantomime, melodrama, operetta, and film. At the height of his career, he had 40 separate companies. He, and to a lesser extent his brother John, was the important entrepreneur of John Fuller and Sons. He was its general manager from 1901 onwards and came to Sydney in 1912 taking over the Brennan Vaudeville Circuit. The Depression in 1929 impacted the theatrical business and the two brothers split Fullers' Theatres Ltd in 1934. In 1941 they went into partnership with Garnet H. Carroll forming after the war the Carroll-Fuller Theatres. The Fullers owned many theatres and had eclectic tastes in entertainment which included showing movies from 1922. Source: catalogue.nla.gov.au/Record/346367

(1906-1912) Between 1906 and 1911 James Brennan (Brennan’s Vaudeville Entertainers) operated a circuit comprising Sydney (National Amphitheatre) and Melbourne (Gaiety Theatre). He began sending companies to other interstate capitals in 1911, and the following year floated the business as a public company (Brennan’s Amphitheatres Ltd). He over-reached his financial reserves in 1912, however, after building a new Melbourne theatre, and was forced soon afterwards to sell his interest in the company to the Fullers. The circuit operated as Brennan-Fuller until 1915, by which time its former owner’s name was dropped. Source: ozvta.com/organisations-a-l/

Being a child and being dressed from hill to head for the photo day.