metropolitanopera

Rosa Ponselle (January 22, 1897 – May 25, 1981), was an American operatic soprano with a large, opulent voice. en.wikipedia.org/wiki/Rosa_Ponselle en.wikipedia.org/wiki/Sheepshead_Bay_Race_Track en.wikipedia.org/wiki/Aida

Conductor Nahan Franko (1861-1930) in background.  Franko was Concertmaster of the Metropolitan Opera Orchestra (1883 to 1907).  A violinist, Nahan made his debut at age 8 at Steinway Hall in New York City and then toured with Adelina Patti as a child prodigy. [1]

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Opera singer nicknamed the "Moravian Thunderbolt".
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"She was as popular at the Metropolitan as in Vienna, especially as Tosca, Carmen and Massenet's Thaïs."

Homer Family This is a series of portraits of the family of composer Sidney Homer (1864-1953) and his wife contralto Louise Dilworth Homer née Beatty (1871-1947). Sidney Homer composed many of his songs with the voice of his famous wife in mind. Among his most famous songs are "A Banjo Song" (Weeden), "Requiem" (Stevenson), "Casey at the Bat" (Thayer), and "The House that Jack Built" ("Mother Goose.") Sidney was Louise's music theory teacher in Boston, MA. Louise Homer's European debut in 1898 was in Vichy, as Leonora in La Favorita, and in 1900 she made her American opera debut at the Metropolitan Opera in New York City singing Amneris in Verdi's Aida.  She sang at the Met for 19 consecutive seasons, often singing opposite such acclaimed singers as Enrico Caruso, Geraldine Farrar, and Ernestine Schumann-Heink.  Composer Samuel Barber was her nephew, and Louise performed several of his songs.  In 1923 and 1924 she was listed as one of the 12 greatest living women by the National League of Women Voters.