menai

7 photos and 1 illustration tagged menai, from 3 members of Flickr Commons.

When were these photos & illustrations taken?

2
1890
2013

 

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None of these photos & illustrations are geotagged.

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Photos & Illustrations tagged menai:

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The last upload was April 2018.

Conversations

Here’s a selection of the conversations happening on these photos & illustrations:

The great trans-Menai swim

  • jamica1 said:
    Chap on the left doesn't quite look dressed the part.

[Bangor from Anglesey, Wales] (LOC)

  • 23 older comments, and then…
  • Kest Schwartzman said:
    article on the process of photochrom: en.wikipedia.org/wiki/Photochrom "A litho stone is coated with a thin layer of purified bitumen dissolved in benzene. A reversed half-tone negative is then pressed against this light-sensitive coating and an exposure in daylight made (taking from 10–30 minutes in summer, to several hours in winter). The bitumen hardens and becomes resistant to normal solvents in proportion to the light. The coating is then washed in turpentine solutions, removing the unhardened bitumen. It is then retouched in the tonal scale of the chosen color to strengthen or soften the tones as required. Each tint needs a separate stone bearing the appropriate retouched image, and prints are usually produced by at least six, and more commonly from 10 to 15 tint stones.[4]"
  • Chris Samuel said:
    Great image, I'd love to know what the paddle steamer and the large sailing ship were called!
  • dug said:
    beautiful colors.
  • ColleenGirl said:
    Great vintage feel.
  • tacit rabbits said:
    lovely

[Beaumaris Bay, Beaumaris Castle, Wales] (LOC)

  • Kest Schwartzman said:
    article on the process of photochrom: en.wikipedia.org/wiki/Photochrom "A litho stone is coated with a thin layer of purified bitumen dissolved in benzene. A reversed half-tone negative is then pressed against this light-sensitive coating and an exposure in daylight made (taking from 10–30 minutes in summer, to several hours in winter). The bitumen hardens and becomes resistant to normal solvents in proportion to the light. The coating is then washed in turpentine solutions, removing the unhardened bitumen. It is then retouched in the tonal scale of the chosen color to strengthen or soften the tones as required. Each tint needs a separate stone bearing the appropriate retouched image, and prints are usually produced by at least six, and more commonly from 10 to 15 tint stones.[4]"
  • John Hughes said:
    Thanks for displaying this fascinating series on Wales - a real treat.