harp

Is that not just a Leinster harp on account of them being from New Ross?

Streetview

The wall of Jordan's pub (then the L&NW office) now bears this plaque:

The ‘Stars & Stripes’ flag does not appear to be any one of the normal variations that would have been in existence before the end of the nineteenth century. The star arrangement differs from any of the established arrangements at that time!

No Kirwans, Laffans or Byrnes on the parade according to the census of 1901 or 1911.

Telynorys Dwyryd at the harp

A wonderful image that tells an interesting story. My guess it that this child was from Viggiano, a small town at the southern-most point of the Italian Apennine range. Viggiano and nearby towns were the 'sending' towns for seasonal itinerant street musicians, whose range gradually extended during the 18th century, from the Italian peninsular, to Europe, England, America, Argentina, Brazil, even Egypt - and finally to the nineteenth-century to Australia. While the British and American press sensationalised the plight of these "little slaves of the harp", I think that John Thomson and Adelphi Smith were rather more realistic and insightful in their assessment. This child is well dressed and shod, and appears to be well fed. Although he probably left his mother, sisters and younger brothers behind in his home town. He is playing a harp typical of Viggiano; diatonic and portable. The leather strap is for that purpose, and illustrates the famous poem by Paolo Parzanese (1809-1852): Ho l’arpa al collo , son viggianese Tutta la terra è il mio paese. Come la rondine che lascia il nido, passo cantando di lido in lido: e fin che in seno mi batte il cor dirò canzoni d’armi e d’amor. I would be very interested in further comments about the identities of the bystanders - Italian or English? someone with more knowledge than I about costume might be able to help. (Worth reading: John Zucchi, "Little Slaves of the Harp" and Enzo V. Alliegro (in Italian, not available in English)

mystroh This information is fascinating, thank you, mystroh! It would certainly be interesting if anyone had further comments on the bystanders. The two boys either side of the pipe smoking gentlemen seem to be wearing similar attire to the harp player.

My guess it that the elderly man is English. Top hat and clay pipe - not typically Italian for that period? An Italian would have been more likely to have only a moustache. The lad leaning against the post is probably Italian. I have seen hats like this in photographs taken in Viggiano in the first decade of the twentieth century. But I would welcome other opinions!

Very sad to see one little italien slave of the harp www.amazon.com/Little-Slaves-Harp-Nineteenth-Century-McGi...