dolgellau

17 photos and 1 illustration tagged dolgellau, from 3 members of Flickr Commons.

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1890
2014

 

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Photos & Illustrations tagged dolgellau:

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The bar at The Royal Lion Hotel, Dolgellau, together with the hotel's darts team

from Llyfrgell Genedlaethol Cymru / The National Library of Wales

  • gailsllys said:
    The back bar (men only) at the Golden Lion Royal Hotel, Dolgelley during the tenure of John A Hall.

Dolgellau Fair

from Llyfrgell Genedlaethol Cymru / The National Library of Wales

  • Hugh Griffith Roberts said:
    Llun o ffair Dolgellau a gynhalwyd yn Eldon Square - lleoliad tu allan Banc y Midland. To tafarn y Cross Keys i'w weld yn y cefndir. Tynnwyd llun arall gan Geoff Charles y diwrnod yma hefo plismon ynddo. Coeliaf y tynnwyd ar Ebrill 26 ain , 1956
  • Llyfrgell Genedlaethol Cymru / The National Library of Wales said:
    Diolch am eich neges. Rydym wedi dod o hyd i ffotograff yn cynnwys plismon yn Ffair Dolgellau : I weld rhagor o ddelweddau Geoff Charles o Ffair Dolgellau, cliciwch ar y rhif yn y maes "Rhif cofnod / Record no.: 3369263" uchod, sy'n ddolen i'r cofnod catalog arlein. Thank you for your comment. We have located a photograph of a policeman at Dolgellau Fair (see above). To view more of Geoff Charles' images of Dolgellau Fair, click on the number in the "Rhif cofnod / Record no.: 3369263" field above, which links to the online catalogue record.

[Precipice Walk, Dolgelly (i.e. Dolgellau), Wales] (LOC)

from The Library of Congress

  • Kest Schwartzman said:
    article on the process of photochrom: en.wikipedia.org/wiki/Photochrom "A litho stone is coated with a thin layer of purified bitumen dissolved in benzene. A reversed half-tone negative is then pressed against this light-sensitive coating and an exposure in daylight made (taking from 10–30 minutes in summer, to several hours in winter). The bitumen hardens and becomes resistant to normal solvents in proportion to the light. The coating is then washed in turpentine solutions, removing the unhardened bitumen. It is then retouched in the tonal scale of the chosen color to strengthen or soften the tones as required. Each tint needs a separate stone bearing the appropriate retouched image, and prints are usually produced by at least six, and more commonly from 10 to 15 tint stones.[4]"