colours

No summer floral display is complete without striking, sculptural dahlias. With a dazzling range of forms, colors, and sizes to choose from. Dahlias are vibrant beauties. Source: www.gardenexpress.com.au/growing-guide/planting-growing-g...

A botanical illustration is not primarily judged on its artistic beauty, but on its scientific accuracy. It must portray a plant with enough precision and detail for it to be recognized and distinguished from other species. The beauty of the drawing or painting is secondary to its scientific accuracy but, in the hands of a talented botanical artist, the artwork goes beyond the scientific requirements. From its inception, botanical art has been a fundamental means of communication for science and its dissemination. While still a scientific tool, it has simultaneously starred in the curious phenomenon of becoming a popular artistic medium, provoking an unusual dichotomy in the world of arts and sciences. There’s something compelling about building a relationship with a plant. Botanical artists have a passion for plants. Unless the artist knows the plant in all its moods, and in all the stages of its development, there will be something lacking in the artwork. Through their work, botanical artists can fulfill many roles: explorer, discoverer, educator, scientific collaborator, and creator of beauty. The qualities of artistic appeal and technical accuracy are the defining characteristics of the best botanical art. This documentation of plant life is not only for art but also for science and environmental research. Source: magsq.com.au/wp-content/uploads/2021/02/Artistic-Endeavou...

It is not only about cricket, but also about the artistic expression of a young cricketer, illustrated by Esther Paterson. Esther Paterson Gill (5 February 1892 – 8 August 1971) was an Australian artist, book-illustrator, and cartoonist. Paterson was publishing her illustrations while still at school with work featured in The Woman in 1908 and cartoons appearing in the Sydney Bulletin throughout 1912. This led to regular appearances in Melbourne Punch, the Argus, and other papers and journals. Her work saw her labeled by the Sun as "Melbourne's Poster Girl." Her first book of sketches "Aussie Girls" was published in 1918 by Melbourne Publishing Company. Her portraits of soldiers both uniformed and civilian are shown at the Australian War Memorial Canberra. The National Gallery of Victoria and Geelong Art Gallery also hold some of her work. Paterson posed in her wedding dress for the 1926 Archibald Prize-winning painting Silk and lace by William Beckwith McInnes, acquired by the Art Gallery of New South Wales. Paterson was the longest serving female office bearer in the Victorian Artists' Society and a significant presence within the Melbourne Society of Women Painters and Sculptors. In 1950 Paterson was awarded the honor of Fellow of the Royal Society of Arts, London (FRSA), showing her reach went beyond Australia to be known in England. Source: en.wikipedia.org/wiki/Esther_Paterson