snowdonianationalpark

6 photos tagged snowdonianationalpark, from 1 member of Flickr Commons.

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The last upload was July 2009.

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[Railway, at the summit, Snowdon, Wales] (LOC)

  • Kest Schwartzman said:
    article on the process of photochrom: en.wikipedia.org/wiki/Photochrom "Photochrom[Note 1] (also called the Aäc process) prints are colorized images produced from black and white photographic negatives via the direct photographic transfer of a negative onto lithographic printing plates."
  • Armagan Orki said:
    Hi, let's share this great photo with Günün En İyisi - The Best of Day (Post 1 - Comment 3) www.flickr.com/groups/iyibest/

    Günün En İyisi - The Best of Day
    Please tag your photo: GününEnİyisi, TheBestOfDay

[Precipice Walk, Dolgelly (i.e. Dolgellau), Wales] (LOC)

  • Kest Schwartzman said:
    article on the process of photochrom: en.wikipedia.org/wiki/Photochrom "A litho stone is coated with a thin layer of purified bitumen dissolved in benzene. A reversed half-tone negative is then pressed against this light-sensitive coating and an exposure in daylight made (taking from 10–30 minutes in summer, to several hours in winter). The bitumen hardens and becomes resistant to normal solvents in proportion to the light. The coating is then washed in turpentine solutions, removing the unhardened bitumen. It is then retouched in the tonal scale of the chosen color to strengthen or soften the tones as required. Each tint needs a separate stone bearing the appropriate retouched image, and prints are usually produced by at least six, and more commonly from 10 to 15 tint stones.[4]"

[General view, Llanberis, Wales] (LOC)

  • Kest Schwartzman said:
    article on the process of photochrom: en.wikipedia.org/wiki/Photochrom "A litho stone is coated with a thin layer of purified bitumen dissolved in benzene. A reversed half-tone negative is then pressed against this light-sensitive coating and an exposure in daylight made (taking from 10–30 minutes in summer, to several hours in winter). The bitumen hardens and becomes resistant to normal solvents in proportion to the light. The coating is then washed in turpentine solutions, removing the unhardened bitumen. It is then retouched in the tonal scale of the chosen color to strengthen or soften the tones as required. Each tint needs a separate stone bearing the appropriate retouched image, and prints are usually produced by at least six, and more commonly from 10 to 15 tint stones.[4]"
  • B-59 said:
    Now the slate museum, www.panoramio.com/photo/24574290