penmaenmawr

9 photos and 1 illustration tagged penmaenmawr, from 4 members of Flickr Commons.

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6
1890
2014

 

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Photos & Illustrations tagged penmaenmawr:

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The last upload was April 2021.

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Hatoriffic Wasp Waists in Clarinbridge

  • 13 older comments, and then…
  • O Mac said:
    Certainly not Clarinbridge. Penmaenmawr, North Wales Fernbrook Road maps.app.goo.gl/VFLh8NY3NUP1xjMz7
  • derangedlemur said:
    O Mac You're a very sarcastic individual, sometimes.
  • National Library of Ireland on The Commons said:
    O Mac Oh that was quick and wrested us from Galway to Penmaenmawr in a jiffy:-(
  • DannyM8 said:
    O Mac Magic? How did you do that?
  • beachcomber australia said:
    O Mac Well spotted - as is the blouse of the tiny lady in the middle!

[Fairy Glen Waterfall, the bridge, Penmaenmawr, Wales] (LOC)

  • Kest Schwartzman said:
    article on the process of photochrom: en.wikipedia.org/wiki/Photochrom "A litho stone is coated with a thin layer of purified bitumen dissolved in benzene. A reversed half-tone negative is then pressed against this light-sensitive coating and an exposure in daylight made (taking from 10–30 minutes in summer, to several hours in winter). The bitumen hardens and becomes resistant to normal solvents in proportion to the light. The coating is then washed in turpentine solutions, removing the unhardened bitumen. It is then retouched in the tonal scale of the chosen color to strengthen or soften the tones as required. Each tint needs a separate stone bearing the appropriate retouched image, and prints are usually produced by at least six, and more commonly from 10 to 15 tint stones.[4]"

[General view, Penmaenmawr, Wales] (LOC)

  • Kest Schwartzman said:
    article on the process of photochrom: en.wikipedia.org/wiki/Photochrom "A litho stone is coated with a thin layer of purified bitumen dissolved in benzene. A reversed half-tone negative is then pressed against this light-sensitive coating and an exposure in daylight made (taking from 10–30 minutes in summer, to several hours in winter). The bitumen hardens and becomes resistant to normal solvents in proportion to the light. The coating is then washed in turpentine solutions, removing the unhardened bitumen. It is then retouched in the tonal scale of the chosen color to strengthen or soften the tones as required. Each tint needs a separate stone bearing the appropriate retouched image, and prints are usually produced by at least six, and more commonly from 10 to 15 tint stones.[4]"