sepiatinted

Top left says Old Mill on Poddle River, Dolphin's Barn, 1893.

Which confused me, as I didn't think the Poddle flowed through Dolphin's Barn.

But looking at the 6" and 25", I see Rutland Mills, with a mill race coming from the Poddle.

The mill would have been at the junction of Rutland Avenue and Clogher Road.

In Google's aerial view linked below, you can still see where the mill race left the Poddle beside (now) Mount Argos Square

maps.app.goo.gl/TSmqP2cmPxpkpP4H8
Bottom right

Perhaps top right refers to Emmet’s hideaway, not Lord Edward?
If so, that house is long gone

On the 6", the stone which splits the Poddle is marked as Tongue and the small townland Tonguefield.

But in Google maps, it is marked as Stone Boat, which is where the Kimmage pub gets its name.

" ... Arrest and death
Lord Edward's hiding place with the feather merchant Nicholas Murphy was betrayed to the spymaster Francis Higgins (qv) by the secretive catholic barrister Francis Magan (qv), who received the £1,000 reward. At seven in the evening on 19 May, an arrest party led by Major Sirr (qv) burst into his upstairs room at 151 Thomas Street in the heart of the Liberties. FitzGerald fiercely resisted arrest, killed one man with his dagger, but sustained serious injuries himself when Sirr shot him in the shoulder at point-blank range. He was taken to Dublin Castle and then jailed in Newgate. ..."
From - www.dib.ie/biography/fitzgerald-lord-edward-a3138

See also - en.wikipedia.org/wiki/Lord_Edward_FitzGerald#Arrest_and_d...

Hmmm ...

"House at Harold's Cross Bridge, Dublin where it ____ Lord Ed Fitzgerald was concealed"

A pair of twin Dutch Billy's near Harold's Cross bridge with a cruciform roof plan, long since demolished, I wonder how long they lasted. I don't recall ever seeing them or that particular photo before. Likely on the Northern side of the bridge anyway.

Looks like he signed a lot of these photos

www.rrauction.com/auctions/lot-detail/345681406330923-ant...

Here he is dancing in 1935 -
youtu.be/y5HkZC0MbCs?si=oXW8XrN9aFxBtjQF

And speaking -
youtu.be/owp5qhsJhvI?si=hgWZqaUAungBd27I

"Sir Anton Dolin (27 July 1904 – 25 November 1983) ... was born in Slinfold in Sussex as Sydney Francis Patrick Chippendall Healey-Kay (generally known as Patrick or Pat Kay to his friends). He was the second of three sons of Henry George Kay (1852-1922) and his wife, Helen Maude Chippendall Healey (1869-1960), from Dublin."
From - en.wikipedia.org/wiki/Anton_Dolin_(ballet_dancer)

I wonder if his maternal Irish connection explains the inscription "God save Ireland".

beachcomber australia No, I think he had a stack of these photos, and signed them to suit the recipient.
Sort of like some Hollywood fan club

In 1926 he suffered temporary blindness. Newcastle Evening Chronicle - Monday 20 December 1926:

On Friday night, said the dancer's secretary, Mr. Dolin was dancing in a cabaret while the show was being filmed for a news picture. The glare of the lights so affected his eyes that early the following morning he woke up in agony and discovered that be was blind. He was taken to a specialist in Wimpole Street, who stated that the optic nerves were terribly bruised and burned.

I understand that in the early days of cinema, the film available was in today's terms very slow, necessitating very bright artificial lights. As a consequence, actors being filmed got into the habit of wearing dark glasses. So if you wanted to look like a film star, you'd wear dark glasses and they thus became a fashion accessory.

“Maureen Barry O'Delany (1 December 1888 – 27 March 1961), professionally known as Maureen Delany and also billed as Maureen Delaney, was an Irish stage actress and screen actress of British films”

en.wikipedia.org/wiki/Maureen_Delany

Nickname was 'Daisy' according to - www.imdb.com/name/nm0216319/

Evidently she over-acted - www.dib.ie/biography/delany-maureen-a9252 -
... Another part which Dublin theatregoers considered she made her own was the Widow Quin in ‘The playboy of the western world’ by J. M. Synge (qv). However, the critic Hugh Hunt (qv), assessing her career, noted that she played all her famous character parts in the same manner: ‘Large, warm-hearted, with a permanent twinkle in her eye . . . Maureen was not a great actress, but she was a superb performer. For over twenty years she was to play herself on the stage without varying her characterisation by a twitch of her eyebrow, to the utter delight of her public’ (Hunt, 118). The Dublin audience's appreciation probably prevented her development and froze her mannerisms; the American critic George Jean Nathan, writing on the Abbey's 1937 American tour, called the company ‘a caricature of its former self . . . [it] is obviously unable to control its fundamentally talented but personally over-cocky actress, Maureen Delany, and to prevent her from indulging in an outrageous overplaying, winking, snorting, and mugging that wreck any serious play she is in’ (Newsweek, 27 Dec. 1937). Her Times obituary noted that the Dublin audience often began to laugh even before she spoke. ...

youtu.be/A6lVN8niepA?si=r0TBjz5kPPx_Uyoq

Reel 1 of 3

She first played this role in 1917, at the Abbey, of course

www.abbeytheatre.ie/archives/production_detail/975/

I don’t see any performances of this play in 1933, but it was performed in 1934

www.abbeytheatre.ie/archives/production_detail/2191/