horseshoefalls
4 photos and 3 illustrations tagged horseshoefalls, from 4 members of Flickr Commons.
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Related tags
Tags that often appear on the same photos & illustrations:
- niagarafalls
- bldigital
- pubplacelondon
- publicdomain
- mechanicalcurator
- sherlocknet:tag=water
- sherlocknet:tag=beauty
- sherlocknet:tag=land
- chisholmgeorgegoudie
- medium
- vol02
- sherlocknet:tag=mountain
- sherlocknet:tag=form
- sherlocknet:tag=line
- waterfalls
- libraryofcongress
- date1849
- sysnum003592040
- taylorwilliamcookeandmackaycharles
- large
- vol03
- page422
- imagesfrombook003592040
- imagesfromvolume00359204003
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Photos & Illustrations
Show photos & illustrations photos (4) illustrations (3)
Photos & Illustrations tagged horseshoefalls:
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Recent uploads
The last upload was November 2024.
Four people seated near Horseshoe Falls, Table Rock, Niagara Falls from George Eastman Museum uploaded March 2010
[Horseshoe Falls, Berwyn Valley, Llangollen, Wales] (LOC) from The Library of Congress uploaded July 2009
Horseshoe Falls from above, Niagara, ON, 1869 from Musée McCord Stewart Museum uploaded October 2008
Conversations
Here’s a selection of the conversations happening on these photos & illustrations:
Horseshoe Falls from above, Niagara, ON, 1869
- 14 older comments, and then…
- Sara said:
- Pablo Daniel Raele said:
- Krazy_Kate said:
- Kevin Pletcher said:
- nondescript turn said:
[Horseshoe Falls, Berwyn Valley, Llangollen, Wales] (LOC)
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Kest Schwartzman said:
article on the process of photochrom: en.wikipedia.org/wiki/Photochrom "A litho stone is coated with a thin layer of purified bitumen dissolved in benzene. A reversed half-tone negative is then pressed against this light-sensitive coating and an exposure in daylight made (taking from 10–30 minutes in summer, to several hours in winter). The bitumen hardens and becomes resistant to normal solvents in proportion to the light. The coating is then washed in turpentine solutions, removing the unhardened bitumen. It is then retouched in the tonal scale of the chosen color to strengthen or soften the tones as required. Each tint needs a separate stone bearing the appropriate retouched image, and prints are usually produced by at least six, and more commonly from 10 to 15 tint stones.[4]"