altar
60 photos and 30 illustrations tagged altar, from 15 members of Flickr Commons.
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- publicdomain
- bldigital
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- pubplacelondon
- vol0
- xmlns:dc=httppurlorgdcelements11
- stereophotography
- libraryofcongress
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- sherlocknet:tag=beauty
- sherlocknet:category=architecture
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- newmexico
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- British Library
- Preus museum
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- State Library of Queensland
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- Public Record Office of Northern Ireland
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Photos & Illustrations
Show photos & illustrations photos (60) illustrations (30)
A selection of photos & illustrations tagged altar:
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Recent uploads
The last upload was January 2024.
Joss House in Cairns, 1895 from State Library of Queensland uploaded January 2024
Chinese joss house at Breakfast Creek, 1886 from State Library of Queensland uploaded January 2024
Altar in the Cairns Joss House from State Library of Queensland uploaded January 2024
Altar in the Cairns Joss House, 1929 from State Library of Queensland uploaded November 2023
Interior view of St. James' Cathedral in Townsville from State Library of Queensland uploaded February 2023
Interior view of St. James' Cathedral in Townsville from State Library of Queensland uploaded February 2023
Interior showing altar from Public Record Office of Northern Ireland uploaded August 2022
High Altar from Public Record Office of Northern Ireland uploaded August 2022
High Altar from Public Record Office of Northern Ireland uploaded August 2022
Sacred Heart altar from Public Record Office of Northern Ireland uploaded August 2022
Fiskum Church, Darbu, Buskerud, Norway from Preus museum uploaded April 2020
Fiskum Church, Darbu, Buskerud, Norway from Preus museum uploaded April 2020
Bykle Church, interior, Valle, Setesdal, Norway. from Preus museum uploaded April 2020
Valle Church, interior. Setesdalen, Valle, Norway. from Preus museum uploaded April 2020
Ringsaker Church, interior, pulpit, altar. Ringsaker, Hedmark, Norway. from Preus museum uploaded April 2020
Conversations
Here’s a selection of the conversations happening on these photos & illustrations:
British Library digitised image from page 57 of "The National and Domestic History of England ... With numerous steel plates, coloured pictures, etc"
from British Library
- swanq said:
Reverend A. E. Loxton at the altar of St. Thomas' Church of England, Toowong, 1952
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Vesna Verencevic said:
St Thomas' Anglican Church is a heritage-listed church at 69 High Street, Toowong, City of Brisbane, Queensland, Australia. It was designed by Francis Drummond Greville Stanley and built-in 1877 by Henry Pears. It was also known as St Thomas' Church of England. It was added to the Queensland Heritage Register on 21 October 1992.[1] Description St Thomas' seen from Jephson Street, 2008 St Thomas' Church of England is situated on a prominent triangular site at the corner of High and Jephson Streets, Toowong. The site comprises a brick church surrounded by established plantings and trees and containing early retaining walls, fences, gates and stairs.[1] The southern, entrance end of the church addresses the corner of the two streets, where three substantial gate pillars with an iron palisade gate provide a principal entrance to the grounds of the church. Two sets of concrete stairs containing memorial gate posts and memorial plaques give access from the church grounds to the streets flanking the site.[1] The church is a bi-chrome brick building with a seven-bay nave, chancel and a very steeply pitched gabled roof clad with diamond-patterned fibrous cement shingles and terracotta ridge capping. A small decorative timber-framed fleche at the southern, entrance, end of the church surmounts the apex of the gabled roof and has a steeply pitched pyramidal roof with an iron cruciform finial. Generally, the church is constructed from a dark brown brick and has cream brick detailing, in the form of window surrounds, arched window heads, quoining, and string coursing. The church sits on a two-course sandstone plinth, the lower course comprises rock-faced blocks and the blocks in the upper course is sparrow picked and margined. The plinth at the northern, most recently constructed, end of the church is constructed from smooth rendered concrete.[1] The southern, entrance facade has an almost triangular facade due to the overhanging eaves of the steeply pitched roof and squat sidewalls. This elevation is dominated by a centrally located tripartite window comprising three lancets filled with stained glass and with stuccoed sills and heads and all embraced by a cream brick pointed arch. Flanking the principal window are smaller lancets, with similarly detailed heads and sills.[1] The bays of the nave are defined on the eastern and western external facades with angle buttressing, which also lines the southern facade. The buttressing features a tapered head of rendered concrete, from which the timber eaves brackets spring. Diagonal buttressing braces the chancel of the church. Centrally located within each bay is an operable lancet window, filled alternately with figured and grisaille stained and colored glass panels. At the southern end of both sides, elevations are steeply gabled porches, which are the principal entrances. These are flanked by buttressing which supports the timber framing of the roof structure. The gabled ends are open, with a small triangular timber panel near the apex. The porches provide access to double-pointed arched timber doors featuring ornate and overscaled iron strapwork hinges.[1] The northern end of the church comprises a chancel and two transepts. The chancel is a square planned, gable-roofed structure abutting the body of the church to which it is similarly detailed although subordinate in height to the principal building. Flanking the chancel are smaller, square planned abutments with hipped roofs, which are in the form of transepts but are, in fact, small rooms, a vestry, and a store.[1] Internally the church is arranged around a central rectangular nave dominated by dark stained timber boarded ceiling, on the underside of a steeply pitched roof. Supporting the roof and defining the nave bays internally are a number of dark stained timber, king post roof trusses. At the northern end of the nave is a chancel, separated from the body of the church by a pointed chancel arch. Internally the walls of the body of the church are rendered and scoured to resemble ashlar stone work. Though externally the church seems to have transepts, these projections, in fact, house a vestry to the west and a store room to the east with entrance to the rooms through timber doors flanking the chancel arch.[1] The chancel is boarded to about 2,100 millimetres (83 in) with timber panelling, featuring carvings of pointed arches with foiled heads. This panelling steps higher on the rear, northern, wall. On this wall and above the stepped panelling is a tripartite group of stained and coloured glass featuring images from the Adoration of the Magi and housed in a pointed arched recess.[1] A number of stone, marble or brass plaque memorials line the internal walls of the church and commemorate various figures in the history of the parish of St Thomas, including RL and A Drew and Sarah Frances Zitella Clark. Many of these memorials were carved by Toowong stonemason, William Busby and bear his signature. As well most of the stained and coloured glass, windows thought to be executed by William Bustard are memorials to parishioners. The tripartite stained glass window in the sanctuary depicts a scene of the Adoration of the Magi.[1] Source: en.wikipedia.org/wiki/St_Thomas%27_Anglican_Church,_Toowong
[Boddelwyddan Church (interior), Rhyl, Wales] (LOC)
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Kest Schwartzman said:
article on the process of photochrom: en.wikipedia.org/wiki/Photochrom "A litho stone is coated with a thin layer of purified bitumen dissolved in benzene. A reversed half-tone negative is then pressed against this light-sensitive coating and an exposure in daylight made (taking from 10–30 minutes in summer, to several hours in winter). The bitumen hardens and becomes resistant to normal solvents in proportion to the light. The coating is then washed in turpentine solutions, removing the unhardened bitumen. It is then retouched in the tonal scale of the chosen color to strengthen or soften the tones as required. Each tint needs a separate stone bearing the appropriate retouched image, and prints are usually produced by at least six, and more commonly from 10 to 15 tint stones.[4]"
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swanq said:
Should be Bodelwyddan. From en.wikipedia.org/wiki/Marble_Church,_Bodelwyddan "The church contains pillars made of Belgian Red marble, and the nave entrance is made from "Anglesey marble". It also contains elaborate woodwork..."
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swanq said:
2012 photos by Flickr user Andrew Ellis are at www.flickr.com/photos/58190042@N03/7892579474/ and www.flickr.com/photos/58190042@N03/7892578150/
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Greg said:
Thanks for the information! We will update our record.