page172
1,890 illustrations tagged page172, from 1 member of Flickr Commons.
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- bldigital
- publicdomain
- mechanicalcurator
- vol0
- small
- pubplacelondon
- large
- sherlocknet:tag=place
- sherlocknet:category=organism
- sherlocknet:tag=house
- medium
- sherlocknet:tag=john
- sherlocknet:tag=year
- sherlocknet:tag=land
- sherlocknet:tag=england
- sherlocknet:tag=london
- sherlocknet:tag=beauty
- sherlocknet:tag=side
- sherlocknet:tag=form
- sherlocknet:tag=grand
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- sherlocknet:tag=general
- sherlocknet:tag=nature
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Illustrations
A selection of illustrations tagged page172:
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Recent uploads
The last upload was November 2018.
British Library digitised image from page 172 of "Guy's South of Ireland Pictorial Guide, etc" from British Library uploaded November 2018
British Library digitised image from page 172 of "The Philippine Islands ... Illustrated" from British Library uploaded October 2018
British Library digitised image from page 172 of "Poets in the Garden [With plates.]" from British Library uploaded September 2018
British Library digitised image from page 172 of "That Fiddler Fellow" from British Library uploaded August 2018
British Library digitised image from page 172 of "Србија, опис земље, народа и државе" from British Library uploaded August 2018
Conversations
Here’s a selection of the conversations happening on these illustrations:
British Library digitised image from page 172 of "Rugby: past and present, with an historical account of neighbouring parishes [With illustrations.]"
from British Library
- swanq said:
British Library digitised image from page 172 of "The Way about Derbyshire. With map ... With illustrations by W. A. Bettesworth"
from British Library
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Chris Morriss said:
Chrome hill on the left, with Parkhouse hill in the centre.
British Library digitised image from page 172 of "A series of original Portraits and Caricature Etchings by ... J. Kay; ... with biographical sketches and illustrative anecdotes [Edited by H. P.]"
from British Library
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Dr_J_W_Baker said:
First published 1789 in Edinburgh by the Scottish caricaturist and minaturist John Kay. This satire takes inspiration from a vibrant late-eighteenth century comic trope: commentaries on the stultifying reality of married life. The trope deviated from Hogarth's influential 'Marriage a-la-mode' series (1743-1745) en.wikipedia.org/wiki/Marriage_%C3%A0-la-mode_(Hogarth) in so far as the couple were generally shown as happy prior to marriage. Eschewing 'before' and 'after' panels in favour of a charming interactive element, the picture is a fine example of both Kay's skill and his eye for profit.